The ParaBeam 410 and 210 studio fixtures display about the same amount of soft light as a 2,000 Watt and 1,000 Watt tungsten light, respectively. But ParaBeams only use 1/4th as much power! Both studio lights take Kino Flo True Match®
high color rendering lamps (CRI 95).
The soft beam actually can be focused for a wide variety of set lighting looks, from lighting four people across a news desk to spotting down to a single subject. Some of the ParaBeam's details are:
- Onboard/remote DMX dimming
- Auto terminate for DMX
- Lamp/Select switching (410 fixture only)
- Parabolic intensifying reflector
- Gel Frame
- Focusing Louver
- True Match® daylight, tungsten
Available in Yoke Mount, Pole-Op and Center Mount
ParaBeam Highlights
The ParaBeam has distinct advantages over conventional quartz softlights.
- Low amperage draw, energy savings
- Long lamp life, low lamp replacements, low maintenance labor
- Low operating temperature
- Low air-conditioning costs
- More efficient heat management design for stable color temperature
- Full spectrum (CRI 95) lamps available in 3200K and 5500K
- Kino Flo lamps also available in 420nm blue and 550nm green for blue and green screen applications.
- High color rendering True Match lamps work well alongside conventional quartz lights or HMI’s
- DMX control for stable color temperature and light level control
- DMX has "Auto Terminate" feature
- Color gels do not burn out or fade due to lower heat of fixture
- Center mount for horizontal and vertical axes rotation, Yoke Mount and Pole Operation
- Quick ballast maintenance
- Honeycomb louvers 90°and 60° reduce the need for barndoors
- Slender design for a less crowded lighting grid
ParaBeam® DMX
416.900.3549
info@ccc.camera
info@ccc.camera
416 - 900 - 3549