416.900.3549

info@ccc.camera

​​​​​info@ccc.camera

The ParaBeam 410 and 210 studio fixtures display about the same amount of soft light as a 2,000 Watt and 1,000 Watt tungsten light, respectively. But ParaBeams only use 1/4th as much power! Both studio lights take Kino Flo True Match® 
high color rendering lamps (CRI 95). 

The soft beam actually can be focused for a wide variety of set lighting looks, from lighting four people across a news desk to spotting down to a single subject. Some of the ParaBeam's details are:   

• Onboard/remote DMX dimming
• Auto terminate for DMX
  
• Lamp/Select switching (410 fixture only)
  
• Parabolic intensifying reflector
  
• Gel Frame
  
• Focusing Louver
  
• True Match® daylight, tungsten 
  

 

 

Available in Yoke Mount, Pole-Op and Center Mount


ParaBeam Highlights

The ParaBeam has distinct advantages over conventional quartz softlights. 

• Low amperage draw, energy savings
• Long lamp life, low lamp replacements, low maintenance labor
  
• Low operating temperature 
  
• Low air-conditioning costs
  
• More efficient heat management design for stable color temperature
  
• Full spectrum (CRI 95) lamps available in 3200K and 5500K
  
• Kino Flo lamps also available in 420nm blue and 550nm green for blue and green screen applications.
  
• High color rendering True Match lamps work well alongside conventional quartz lights or HMI’s
  
• DMX control for stable color temperature and light level control 
  
• DMX has "Auto Terminate" feature
  
• Color gels do not burn out or fade due to lower heat of fixture
  
• Center mount for horizontal and vertical axes rotation, Yoke Mount and Pole Operation 
  
• Quick ballast maintenance
  
• Honeycomb louvers 90°and 60° reduce the need for barndoors 
  
• Slender design for a less crowded lighting grid

ParaBeam® DMX

​​416-900-3549

​​​Mon - Fri:

9:00-6:00pm